STATEMENT
I work with matter as a territory of listening and discovery. My practice explores ways of inhabiting the body, memory, and territory, unfolding through textiles, ceramics, sculptural objects, installation, and performative actions.
As a gesture,
I weave,
I make ceramics.
I intervene in spaces
and expand them.
I allow myself to resonate in sensitive mappings where the intimate passes through listening and becomes a way of perceiving the surroundings. There, cracks appear where other voices whisper, I listen to them, and in that encounter I recognize knowledges, gestures, and memories that also make me who I am.
These are gestures where an ancient force lives, a memory that reveals itself as an echo of those who came before. I'm interested in creating works that suggest a pause, where perception can stop and make visible what usually goes unnoticed.
This search extends to curating, education, and management, where supporting, connecting, and opening spaces for others also becomes a space for creation. Different ways of doing; and art as a structuring way of being in the world.
CV
I was born in May 1973 in La Plata, the capital of Buenos Aires Province, Argentina. I am an artist, educator, and cultural manager. My work across disciplines takes place in Patagonia, where I have been living for 29 years.
EDUCATION
Visual Arts teacher graduated from the Clydwyn Jones Higher Institute of Art, 2013, Trelew, Chubut. Postgraduate degree in Cultural Management at the National University of Córdoba, Córdoba Capital, 2015.
Training in workshops for artwork analysis and follow-up, seminars, and meetings with mentors such as Daniel Fischer, Rafael Cipolini, Marina de Caro, Fernando Farina, Eduardo Basualdo, Leticia Obeid, and Carolina Scorsione, among others. Participation in workshops and seminars on combined arts, contemporary drawing, ceramic sculpture, and traditional textile techniques.
MANAGEMENT
Art Creator at Los Robles, a space for residencies and artistic practices in Paso del Sapo, Chubut. Dedicated to the dialogue between contemporary art, territory, and sustainable practices. Direction and management, driving training projects, supporting artworks, and community practices.
EXHIBITIONS
Solo exhibitions: Healing at Fud Casa Galería, Esquel 2024. Fragmented Silences at CC Melipal, Esquel 2017. Fertile Seed at the Municipal Museum of Visual Arts and Sala Jornada, Trelew 2013. Sublime Ancestry at the Municipal Museum of Visual Arts, Trelew 2010.
Group exhibitions: Creative Territory, various towns in Chubut 2025/26. National Salon at OSDE hall, Buenos Aires 2025. Pure Design at Vía Viva, Buenos Aires 2024. National AV Salon at Kirchner Cultural Center, Buenos Aires 2023. You Will Give Birth in Pain and Other Curses at Sala Lindaura Chapitel, SMA Neuquén 2021 and CC Melipal, Esquel 2019. Porous Discourses at Sala Jornada, Trelew 2017. The Night Grows Dark, with curatorship by Daniel Fischer at the Museum of Visual Arts, Trelew 2015. Circular Project III, curated by Oscar Smoje at Palace de Glase, CABA.
Curated exhibitions: Decires de una estepa, a group show around the AER residencies in the hall of the Provincial Cultural Center, Rawson; Chubut 2026. Memories of the Clay, a group show around the work of Mabel Almendra Cayecul, in the Los Robles Paso del Sapo halls, Provincial Cultural Center Rawson, and Museum of Visual Arts Trelew; Chubut 2025.
RECOGNITIONS
Selected for the OSDE National Art Salon 2025, Chubut Creative Territory and Puro Diseño 2024, National Visual Arts Salon 2023, National Textile Art Salon of Las Flores 2016. 1st Prize in Sculpture at the Binational Salon with Patagonian Projection 2019 - 2016 and 2nd Prize in the 2025 edition.
Performative action on stage. Set designer and co-creator of the scenery for A MIDSUMMER NIGHT'S DREAM by William Shakespeare, directed by Cristian Stevenot, at the Cultural Center of Comodoro Rivadavia, Chubut 2013.
